With the release of his seventh solo album, Late Night Laments, Tim Bowness explores global tensions and considers how musicians can best foster mutual understanding in times of social unrest.
Having composed for blockbuster films and ballet, Ilan Eshkeri discusses how powerful emotional narratives and the opportunity for creative freedom drew him to triple-A video game Ghost of Tsushima.
Neu!'s Michael Rother reflects on the creative environment of lockdown, the struggles of playing experimental krautrock, and the collective beauty of live performance.
Indie pop singer-songwriter, Hana Vu's second release Nicole Kidman / Anne Hathaway is a fantastically polished double EP but could have made an even better album.
Embracing their grungier influences, Deceiver marks a significant departure from DIIV’s previously established brand of shoegaze.
Ranging in tone and style, Metronomy's Metronomy Forever feels like a spiritual successor to their second album Nights Out.
Hot Motion sees Temples play it safe as they sacrifice musical development for disappointing consistency.
Enlisting the contribution of previous collaborators, Pieta Brown expands her sound but forsakes essential folk groundwork on Freeway.
Solid Bronze deliver animated funk, laid-back soul, and sauntering instrumentals on their debut The Fruit Basket.
On his second release of 2019, To Memphis, Foy Vance embraces the Americana and folk rooted in his songwriting.
Expanding her electropop sound with soulful grooves, Shura finds inspiration in personal experience on forevher.
King Gizzard and the Lizard Wizard go full metal to craft a brutal warning against ecological destruction on their 15th studio album, Infest the Rats' Nest.
