Whatever Happened to That Amazing British Punk Band Buzzcocks?
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
Steve Diggle’s Buzzcocks autobiography Autonomy is a refreshing take in an era when punk’s political and social consequences tend to be over-analyzed.
Madness is a scathing indictment of how Black Americans are disproportionately affected by mental health stigmas, inadequate care, and systemic neglect.
Neal Stephenson’s thrilling and slow-burn historical thriller Polostan presents the 1930s as a calamitous carnival ride building inexorably toward Hiroshima.
Nickel and Dimed meets a suburban big box store in Adelle Waldman’s unexpectedly humorous, dystopian workplace caper, Help Wanted.
There is no guilty pleasure in reading Lynn Stegner’s The Half-Life of Guilt. There is only pleasure.
Premee Mohamed’s We Speak Through the Mountain is a school story set in a future that looks startlingly close to our times, sentient fungal infections notwithstanding.
Poet and translator Ananda Lima’s debut fiction, Craft, is an absorbing mystical and metafictional dance with the Devil.
Award-winning speculative fiction writer Naomi Novik’s short stories are collected in Buried Deep, revealing the range of her fantastical feminist worlds.
Poet and author Jessica E. Johnson’s memoir Mettlework excavates myths of motherhood and girlhood in mining towns across America.
With his graphic memoir Advocate, Eddie Ahn invites readers to contemplate the complexities of pursuing social justice within a profit-driven world.
Jonathan Cott provides a concise overview of two of the Beatles’ greatest songs in his book Let Me Take You Down: Penny Lane and Strawberry Fields Forever.
The interviews of rock widows in I Can’t Remember If I Cried reveal life for these women when their husbands exit the stage, the music stops, and the silence roars