Marilyn Monroe Really Knew How to Act
Marilyn Monroe’s performative femininity as Sugar in Some Like It Hot is just as artificial as Tony Curtis and Jack Lemmon’s drag characters’, only better.
Marilyn Monroe’s performative femininity as Sugar in Some Like It Hot is just as artificial as Tony Curtis and Jack Lemmon’s drag characters’, only better.
1930s cinema gets wild and funny with French Revelations: Fanfare d’amour and Mauvaise Graine, talkies with impolite elements from Pottier, Wilder, and Esway.
Billy Wilder’s most savage of American comedies, The Apartment, skewers corporate culture and patriarchal structures while challenging viewers to read its spills and overflows as more than just accidents.
Love in the Afternoon deserves credit for its artistic merit but also for serving as the beginning of a beautiful affair between Billy Wilder and I.A.L. Diamond.
Screenwriter Charles Brackett’s diary entries collected in It’s the Pictures That Got Small tells of Hollywood’s Golden Age like only a diary can.