Michael Feuerstack Matches Questions with Infectious Grooves
In Eternity Mongers, Michael Feuerstack proves his mettle as a fine, seasoned songwriter and captures soulful innocence and throws in killer hooks.
In Eternity Mongers, Michael Feuerstack proves his mettle as a fine, seasoned songwriter and captures soulful innocence and throws in killer hooks.
Avant-garde artist and producer Samuel Goff unleashes a fascinating exercise in catharsis on his second solo album, This Is My Body, This Is My Blood.
Katy Pinke’s indie folk music on her debut album comes from deep inside. It’s warm and engaging and leaves the listener yearning for more.
Minor Moon’s LP is deeply adventurous but has a sharp, reflective eye on the rearview mirror. It’s a warm fuzz of country rock amidst a world falling apart.
Hannah Selin has created a profoundly engaging set of compositions on her debut LP. They are a sonic equivalent to deep sleep and vivid, complex dream states.
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
Celebrated saxophonist Josh Johnson infuses his music with various styles on this surprisingly accessible new LP of processed, ambient jazz.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.
Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.
‘Rolling Stone’ co-founder Ralph J. Gleason predates that golden era of music journalism when Lester Bangs and Robert Christgau thrived.
In 1989, XTC released Oranges & Lemons, one of their finest. There are nods to trippy 1960s touchstones, but it’s more of a lush, power-pop celebration.
Hannah Frances’ hypnotic new album Keeper of the Shepherd is a master class in sophisticated songwriting and pastoral scene-setting.