Cocteau Twins and Harold Budd Visit ‘The Moon and the Melodies’
The collaboration between ethereal pop trio Cocteau Twins and avant-gardist Harold Budd, The Moon and the Melodies, hits vinyl for the first time since 1986.
The collaboration between ethereal pop trio Cocteau Twins and avant-gardist Harold Budd, The Moon and the Melodies, hits vinyl for the first time since 1986.
When Fake Fruit find a strong musical hook on Mucho Mistrust, their songs are a lot of fun. When they don’t, their sloppiness comes to the fore.
Norway’s Susanna aims to distill the world and bring it down to a set of uncomfortable truths on this album. Love will tear us apart again and again.
Percussionist Max Jaffe chronicles his years in New York City with the twitchy, unsettling, experimental jazz of Reduction of Man.
Ayom’s Sa.Li.Va. is meant to be heard and felt to move a listener literally and figuratively. Complex in its makings, its joy is straightforward.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
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Japanese multi-instrumentalist and composer Masayoshi Fujita weaves mallet percussion and synths together for an arresting experience on Migratory.
Sunset Rubdown return without electric guitars and create some beauty that can be added to Spencer Krug’s substantial catalog as an auteur.
Nala Sinephro’s Endlessness is music that is good for the ear, the mind, the heart, and the very future of the philosophical orientations of jazz.
Trailblazing avant-garde artist Laurie Anderson tells the story of Amelia Earhart in a wonderful, engaging musical documentary.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.