Philosophies and Ironies in Éric Rohmer’s ‘Tales of the Four Seasons’
In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.
In Éric Rohmer’s ‘Tales of the Four Seasons’, everything exists on an elevated Expressionist plane; every detail dovetails into its hermetic philosophies and ironies.
Is the Barbie movie, like the Barbie dolls, a superficial attempt to co-opt feminist discourse? Or does it offer something substantial?
Jussi Adler-Olsen, author of the Nordic noir Department Q series, isn’t thrilled with the transition of his work to film. Five directors of six films argue that’s a crime.
When the New Age travelers and the newly emerging ravers met in the English countryside, they had to fight for the right to party together for free. They still do.
Rewatching the memory puzzle film Eternal Sunshine of the Spotless Mind, we are captivated by its sophisticated and complete depictions of memory.
A female Tarzan and her gorilla, a horse that revenges his murdered master, mothers, and comical aviators make the scene in these silent film jewels.
The Jungian shadow looms over We Were Dangerous, a dramatic and rebellious drama about moral panic and juvenile and sexual delinquency in 1950s New Zealand.
Gil Junger’s alteration of The Taming of the Shrew, 1999’s 10 Things I Hate About You, is a revolutionary Riot Grrl-inspired teen comedy for today’s girls.
The same lack of control and uncertainty that hounds Kafka’s Josef. K haunts the lost protagonist in Shannon Triplett’s sci-fi horror Desert Road.
The 1984 rockumentary, or mockumentary, This Is Spinal Tap is a prophetic parody where one can laugh about, laugh at, and be laughed at all at the same time.
Nymphomaniac II, Happening, and Portrait of a Lady on Fire depict backstreet abortion as either a solitary or collaborative experience among women.