Snarls Wear Their Hearts on Their Sleeves on ‘With Love’
There are few things more thrilling in music than hearing a band reach another level of mastery of their craft, and Snarls sound positively inspired on With Love.
There are few things more thrilling in music than hearing a band reach another level of mastery of their craft, and Snarls sound positively inspired on With Love.
Shudder to Think’s Pony Express Record is one of the most enduring releases of the 1990s, evergreen for the very reasons it wasn’t a massive hit upon release.
With a new book and an upcoming tour, beloved cult band Brainiac are enjoying a resurgence. Lead singer and guitarist John Schmersal discusses this and more.
Foolish was Superchunk committing to staying indie amid turmoil, and the scene is better for it. Their discography is filled with iconic singles defining American indie rock.
On Ribbon, the Ophelias weave moodiness seamlessly into a short but satisfying song cycle, and hopefully, the louder guitar is here to stay for a while.
Cloud Nothings have delivered record after record of catchy, energetic songs without getting stale or repetitive. Final Summer continues that streak.
Canadian noise punks go widescreen on their latest to thrilling effect. METZ embrace melody but still bring the noise Up on Gravity Hill.
Who had Sonic Youth’s Kim Gordon making a collection of trunk-rattling near hip-hop and industrial noise on their 2024 bingo card?
Gouge Away’s Deep Sage delivers heavy hooks that recall 1990s alternative greats without losing that hardcore fury that put them on the map.
After breaking through with a lockdown-inspired set of songs, the Ratboys’ “post-country” stylings find a new audience, opening for the Decemberists.
Rock guitar virtuoso Mary Timony’s Untame the Tiger is a clear–eyed, unsentimental, top-shelf record that emerged during hard times.
Rid of Me’s Access to the Lonely is one of the essential hardcore records of the past few months, but it cannot be contained by one genre.