Georgia Channels Her Inner Pop Diva on ‘Euphoric’
Euphoric is a breezy, chaste recording that places producer/singer Georgia squarely into mainstream dance-pop. It’s love letter to 1990s pop.
Euphoric is a breezy, chaste recording that places producer/singer Georgia squarely into mainstream dance-pop. It’s love letter to 1990s pop.
Although there are some fantastic high points and some tacky low points, Barbie: The Album pulls through with a cheeky victory.
Sylvester’s voice – an otherworldly sonic boom of a voice that climbed to dizzying heights – was a significant force in queer pop culture in the 1970s.
Paula Abdul confounded her critics with Spellbound, looking to expand pop hooks and catchy melodies with more esoteric sounds to festoon her state-of-the-art dance-pop.
Janet Jackson’s Janet, released 30 years ago today, embraces the maturity of her sexuality and political identity, and in the process, she creates beautiful music.
National Sawdust Ensemble’s work on Slow Beethoven recasts Beethoven’s Opus 131 as something wholly new, recasting it as a contemporary classical dirge.
Carly Simon adapted to the glossier, smoother sounds of 1980s soft-rock, spinning yarns of upper-class anxiety in Coming Around Again.
Braiding stirring songwriting prowess and beautiful vocals, Durand Jones has created one of the most assured and brightest debut albums in quite some time.
We’re looking at Janet Jackson’s fabulous discography to celebrate her birthday. Most of these songs are pop classics and define ’80s/’90s pop and dance radio.
Basia’s The Sweetest Illusion speaks to my family’s migration from Poland to France, the US, and the UK. Like Basia, I’ve picked up various cultural ephemera along the way.
Following the intense ambition of Ellie Goulding’s previous album, 2020’s Brightest Blue, Higher Than Heaven is a refreshing jolt of candy-coated vigor.
St. Paul & The Broken Bones’ Angels in Science Fiction confronts the idea of being a father and bringing a child into a world as frightening as ours.