‘Stoned Cold Country’ Proves You Can’t Always Get What You Want
The latest country-leaning tribute album to the Rolling Stones, Stoned Cold Country, is as unexciting as it is unnecessary.
The latest country-leaning tribute album to the Rolling Stones, Stoned Cold Country, is as unexciting as it is unnecessary.
On Tick, Jerry Joseph enlists the Drive-By Truckers and all hell breaks loose in a blaze of fierce rock, but that’s a good thing.
Ambitious yet gimmicky, Tyler Childers’ Can I Take My Hounds to Heaven? is all dressed up in its Sunday best, but it’s mostly an empty suit.
On Only the Strong Survive, Bruce Springsteen places his voice front and center, and his love for this timeless, joyous soul music is jubilant and infectious.
Legendary producer Daniel Lanois discusses U2, Bob Dylan, Neil Young, his new instrumental album, and how he still lets the music guide him.
‘Secret Chef’ Joe Blanton joins the Chefs’ Dan Baird and Stan Lynch for a 12-course rock ‘n’ roll delight with Sing For Your Supper.
Indie rocker Kurt Vile returns with the sprawling, pondering, post-pandemic jam (watch my moves). Its best moments entrance and enthrall.
Anthony Scaduto’s posthumously published The Dylan Tapes is an engrossing journey into the research process of one gifted writer as he profiled another.
Through the power of rock ‘n’ roll, 60 North Carolina musicians band together to shine a light on mental health with the compilation, Be Good to Yourself.
Heavy jam legends Gov’t Mule lay bare their roots on Heavy Load Blues, resulting in one of the most satisfying albums of the year.
Texas singer-songwriter James McMurtry signs with New West and gives us The Horses and the Hounds awash in loud guitars and unparalleled storytelling.
Art Rupe’s little Hollywood label, Specialty Records celebrated Black culture’s boundless beauty, energy, joy, and excitement. It was also an originator of the rock ‘n’ roll sound.