STS9 Dazzle the Senses on ‘Chromalight’
Chromalight keeps a long winning streak going as STS9 continue pushing boundaries with their genre-blending sonic alchemy and collective improvisations.
Chromalight keeps a long winning streak going as STS9 continue pushing boundaries with their genre-blending sonic alchemy and collective improvisations.
How a stroll through the David Bowie exhibit at the Victoria & Albert to an auctioning of a Samuel Beckett manuscript at Sotheby’s left me at the World’s End.
Colin Newman and Malka Spigel discuss their collaborative project Nanocluster and the importance of collaboration to maintain artistic independence.
Los Angeles experimental label Leaving Records embrace an “all genre” aesthetic. At 15 years old, their artists are moving the cultural needle in a big way.
It’s a rare artist indeed who can turn tools for expressing existential dread toward a grateful appreciation of life, but Fire-Toolz accomplishes this on Breeze.
Sure, Glastonbury and Rock Werchter dazzle with pastoral grandeur, but if you’re more of a city-dweller, check out the best European music festivals this summer.
KOKOKO!’s Butu is full of heat and movement, from the traffic sounds that start the opening track “Butu Ezo Ya” to the final claps of razor-sharp “Salaka Bien”.
Moby creates a series of melancholy soundscapes, along with some upbeat tunes, to highlight the collection of talented singers on Always Centered at Night.
Sent back through a wormhole from the distant future by mad synth scientists, the Will Gregory Moog Ensemble, this Heat Ray is a weapon of unknowable power.
At the center of Forest Law’s Zero is his versatile guitar work, through which he variously evokes bossa nova, classic funk, and psychedelic folk.
After more than 25 years, Brian Eno’s Sushi! Roti! Reibekuchen!—a once-in-a-lifetime gig by three experimental giants—finally sees the light of day.
ABOMINATION has a secret weapon: Lynks’ ear for catchy musical hooks. It’s a rollicking record that’s equal parts swagger and self-doubt.