miles davis

Pop, Hard Bop and the Jazz Vamp: Herbie Hancock’s ‘Head Hunters’ vs. Miles Davis’ ‘On the Corner’

Pop, Hard Bop and the Jazz Vamp: Herbie Hancock’s ‘Head Hunters’ vs. Miles Davis’ ‘On the Corner’

Head Hunters, spanning one or two lifetimes since its release, remains utterly applicable to the contemporary soundscape, encompassing the sensuality of gutbucket funk as well as airy confines of so-called jazz.

The Beat Goes on with ‘Kerouac on Record’

The Beat Goes on with ‘Kerouac on Record’

These essays explore the connection between Kerouac and the music he loved -- Charlie Parker, Lee Konitz, Chet Baker, Miles Davis and others -- and the musicians who loved him, in turn.

Latest Miles Davis/John Coltrane Box Set Reveals the Marvel of the Final Tour

Latest Miles Davis/John Coltrane Box Set Reveals the Marvel of the Final Tour

The musical conflict and explorations of these jazz legends made for a stunning series of concerts that remain sharp nearly 60 years later.

Betty Davis and the Funk Cult of Space Age Blues

Betty Davis and the Funk Cult of Space Age Blues

Clear your mind of the long gone myth, the post-career hype, and connect the dots that lead from Ma Rainy to Betty Davis, a continuum of playful blues/funk and emancipated eroticism.

As a Way of Being in the World, to Be Cool Is to Be a Fascinating Asshole

As a Way of Being in the World, to Be Cool Is to Be a Fascinating Asshole

Cool seems to be a phenomenon located mainly between the end of Hitler’s war and the beginning of Kurt Cobain’s band.
Feel and Form: A New Font Inspired by Miles Davis’ ‘Masqualero’

Feel and Form: A New Font Inspired by Miles Davis’ ‘Masqualero’

Like Miles Davis, the Masqualero typeface has a strong duality; there are two ways of looking at it, outside and in.
Finding the Sublime in Jazz, an Argument for Abstraction

Finding the Sublime in Jazz, an Argument for Abstraction

Jazz columnist Will Layman presents seven pieces of music as evidence of the beauty and urgency of pure sound in instrumental jazz.
Miles Davis’s Corporeal Score to Louis Malle’s ‘Elevator to the Gallows’

Miles Davis’s Corporeal Score to Louis Malle’s ‘Elevator to the Gallows’

Davis's score doesn't articulate a narrative in this film; it provides a haunting, corporeal presence that refuses to assimilate to our efforts to find meaning.
Miles Davis, Robert Glasper, Bilal – “Ghetto Walkin'” (Singles Going Steady)

Miles Davis, Robert Glasper, Bilal – “Ghetto Walkin'” (Singles Going Steady)

The tempo of "Ghetto Walkin" is noticeably faster than the Davis original, yet it creates a rich texture of sound that is well paced by the dry percussion.
Various Artists: Miles Ahead Original Motion Picture Soundtrack

Various Artists: Miles Ahead Original Motion Picture Soundtrack

Don Cheadle, director and star of Miles Ahead, has assembled a mostly enticing soundtrack to his film, though still peppered with a few inessentials.
Miles Davis and Robert Glasper feat. Phonte – “Violets”

Miles Davis and Robert Glasper feat. Phonte – “Violets”

"Violets" is an excellent jazz-hop single to honor the great Miles Davis.
‘Miles Ahead’ Ponders Miles Davis’ Lost Years

‘Miles Ahead’ Ponders Miles Davis’ Lost Years

Ponder this reality for a moment: Don Cheadle needs a white co-star in order to make a movie about Miles Davis.