Sunset Rubdown Miss a Critical Piece Upon Their Unexpected Return
Sunset Rubdown return without electric guitars and create some beauty that can be added to Spencer Krug’s substantial catalog as an auteur.
Sunset Rubdown return without electric guitars and create some beauty that can be added to Spencer Krug’s substantial catalog as an auteur.
Los Bitchos’ Talkie Talkie builds an immersive experience with a larger narrative. They challenge the conventions of rock through sound and representation.
Enumclaw’s sophomore LP, Home in Another Life, again delivers 1990s alternative sounds but is confessional in nature and speaks to what ails us.
“I fit through a pinhole of success,” notes indie rock titan Tim Kasher on Cursive’s ninth full-length album. “I’m lucky as hell that I’m able to do this.”
Devourer‘s songs are the best Cursive have released since 2003, balancing a noisy attack and withering lyrics with some of their prettiest, accessible tracks.
MJ Lenderman creates sounds that somehow cut into his listeners’ heads and hearts, even when the songs’ sonics resemble that of the garage band next door.
The different lyrical, musical, and emotional avenues indie folk’s Sima Cunningham travels throughout High Roller shows an artist overflowing with ideas.
On Manning Fireworks, MJ Lenderman describes down-and-out characters with his usual witty charm, all while showcasing his exceptional musical abilities.
Definitely Maybe is the definitive statement in the Oasis catalog, an album of its time but also transformative in what was yet to come.
To pay tribute to Oasis, these are the 10 best songs release post-Be Here Now. This list excludes B-sides and focuses exclusively on their album cuts.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Pom Poko have figured out how to combine complex math rock with big pop hooks, but their willingness to stretch beyond these styles makes Champion intriguing.