The Killers’ ‘Hot Fuss’ 20 Years On: A Layered Hit That Still Slays
The Killers’ Hot Fuss is made for the hips and heart, not the brains. Their best tunes are eminently digestible, meant to have you vibrating from the first few bars.
The Killers’ Hot Fuss is made for the hips and heart, not the brains. Their best tunes are eminently digestible, meant to have you vibrating from the first few bars.
A Ghost Is Born was Wilco’s fearless attempt to surpass ‘Yankee Hotel Foxtrot’ and move beyond the narrative that could have defined the band.
The sad queer folk rock anthems of Ohio’s the Ophelias have pierced through the noise, and now, no matter how unusual the venue, they’re road-testing new tunes.
In 1974, Roxy Music and Robert Palmer transcended changes in musical fashions not only in terms of their influence but without sacrificing their artistry.
Only God Was Above Us demonstrates that melodic, clean guitars are welcome but optional and that Vampire Weekend have plenty of other tricks up their sleeves.
On All Born Screaming, St. Vincent suggests the end of life is really just a new beginning. Love is the purpose. There is no joy without pain.
On Ribbon, the Ophelias weave moodiness seamlessly into a short but satisfying song cycle, and hopefully, the louder guitar is here to stay for a while.
The songs on the Fiery Furnaces’ Widow City are like a multiverse 45; they’ll never be hits on this Earth but might sell millions in a world slightly tweaked.
Wilco’s net-streaming experiment with Yankee Hotel Foxtrot was part of the utopian promise for technology’s future, and it worked.
Weeks after his 50th birthday, Guy Garvey talks about Elbow’s electric new album, their wildest since their 2008 breakthrough The Seldom Seen Kid.
Guy Garvey and company return with renewed energy, a punchier attack and infectious grooves on Elbow’s tenth studio album, Audio Vertigo.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.